Singer Songwriter Blogger Guitarist Content Creator
I’ve decided to do a weekly (or so) round up of things I like, am working on, reading, whatever. All the cool bloggers do it and I desperately want to be in the cool bloggers club. (Fast forward to 10 years from now when some kid walks up to me and says, “So you remember when blogging was cool?” Ouch).
- My friend Bill Small is doing a Kickstarter for his brand new record and my Social Thinkery is on the case. Why? Because Bill is amazing as a writer, musician, and human. He’s a Mystiquero, too, and you can’t but help love a Mystiquero. Consider getting in on this one.
- My OTHER friend (I have 2) D.C. Bloom is on the tail end of his Kickstarter campaign for his new record, “The Rest is Commentary.” I had a great time helping him film his video. He wins for cutest dog cameo ever, just see. Also, he’s one of the wittiest writers I know, and it transfers to his songwriting with ease. Get a Zeffy Bobblehead before they’re being sold on Ebay for $5000.
I read a LOT of articles, y’all. I try to read books but I half-finish most of them. Articles are easy to get through on a car ride or in a bout of insomnia. Good ones this week:
- Miss American Dream: How Britney Spears went to Vegas and became a feminist role model. No, really. – I have a weird fascination with Las Vegas, and we all know I love pop music. This article is well-written on both fronts, addressing Vegas entertainment history and letting us in on a little Britney.
- How the Teenage Mutant Ninja Turtles Came to Dominate 90′s Culture - I am key demographic fodder for this article…the TMNT came out when I was in grade school and I still pride myself on my original action figure collection of all 4 turtles. Leonardo was my favorite for a long time but then I decided the rebellious moody nature of Raphael was more my jam.
The Best of You: Susan Gibson - another thing that hits close to home. Susan recorded a great track and all proceeds from the download of this (you can stream or download for free but you can also pay what you want) go to a cancer charity. Last week we donated about $600 to Cancer Care Services of Fort Worth. Susan will pick a new recipient while we grow the donation pot again. Go listen and give.
I am realizing “release dates” are a little bit weird in this digital music world. Back in the day, an album had a release date (always a Tuesday for some sales tracking reason) and as a music fiend, Tuesdays were big days. You’d hope the ghetto Hastings in your neighborhood got the memo and stocked the new Tori Amos that was shipping across the country that weekend to arrive by…TUESDAY. And you bought it and took it home when everyone else did on TUESDAY.
Doing a Kickstarter, however…means the really amazing folks who made my record possible get it first. They’re a big part of my online and in person community, too – so my backers have received their downloads and I spent all weekend signing CDs and addressing envelopes. I’m still not done, because someone’s great idea to have a Trilogy (oh, that’s me) means triple the CDs to sign. I think I’ve autographed about 500 albums this weekend. My hand hurts. I’ve enjoyed every minute, though. Nothing makes you more grateful for each and every supporter than hand-writing their address thinking about them as you do it.
Why July? I need time to send this sucker out for reviews. I’ve gotten a few in already and I’ll share those in the next post. Let’s just say I’m thrilled one said, “By the time the chorus kicks in, the track has turned into a full on fist puncher, and you’ll be wondering why you haven’t heard of her before and how you got by without her music this far.” (From Crossradar.com). I think that same thing every day, people.
ANYWAY…this is how I have decided to do it. Kickstarters receive it SOON. Pre-order receive it pretty soon. The world gets it in July.
Guys, I just gotta gush. Emily Shirley is my friend, sometimes musical co-conspirator, and for all 3 of my EPs she’s been the graphic designer. She really knocked it out of the park on Throats Are Quarries, though. The disc alone makes me wanna dance at a rave in Paris at 3 AM, or something.
Check out Em’s music and give her some props.
Ugh. I hate to be typing this, but here is a link to an Indie Go Go fundraiser for John Jennings who is fighting metastatic kidney cancer. You can read all the details at the site but he has had surgeries and is canceling his touring with Mary Chapin Carpenter this summer and his other projects. That’s tough. Having been through the mass canceling of gigs when Susan broke her arm, it is frightening to say the least when you are self-employed like that.
If you know me you’ve probably heard me talk about JJ. He was my very first guitar hero. I spent hours and hours learning transcribed solos of his from Mary Chapin records when I was in high school. I bought a Martin Backpacker because JJ had one (I still have it…he signed it).
I’ve had the good fortune to run into him several times over the years, and even when I pop up in the oddest places like San Francisco or Folk Alliance in Memphis (where we were both conference attendees), he is the nicest and stops for a chat. Here’s a link to his bio if you want it…he’s worked with the likes of Mary Chapin, the Indigo Girls, Lyle Lovett, and John Gorka to name a few. His musicianship is bar none and his qualities as a great human being surpass everything.
Give what you can and share this link. Chances are he’s had his hand in at least one album or show over the years that has affected your life. Give back!
“Do it right the first time.” I guess I would say I ascribe to this saying. It’s common, it’s one of those oft-repeated sayings from school and childhood used to ward off mediocrity and slackerness.
Except I’m realizing that mantra is not always the best or most logical thing to follow. I’ve been 99% done with my record for a couple of weeks now, and the deal is…I have what I would call “good ears”. SOME have mocked me for my OCD ears, but we’ve brought this album so far and it’s SO GOOD that I just want it to be the best it can be. So does Dan, the producer man.
The other night I was listening through and almost ready to upload the album to my Kickstarter backers, because they are amazing and get it first. That’s when I heard, on the last track, a noise. A lot of times there are little noises made when you record. An open room mic, an artifact from the recording software, whatever. Dan takes care of these as he mixes, but some are tricky and hidden.
So I’ve sent notes to Dan before about noises. Mastering actually makes these little buggers pop out more, I’ve been told, so it’s pretty normal to notice stuff like that. Some of them he hears too and we’ve taken care of them. Some of them, I’m over-listening and it’s a guitar pick sound or something that’s supposed to be there. Dan is very patient and also awesome.
I thought we were done, but there it was…a noise. I slept on it because I really didn’t want it to be there because we’ve mastered this album twice already. I woke up and listened again, and there it was. I emailed Dan. He said, “Yep…there it is.” So he kindly took it out, no big deal, and we re-mastered for the third time (thank you Mark Hallman) and I am going to pick it up today. This is the one. I hadn’t heard anything else, and this was the last track of the whole shebang.
So this morning I was pondering all this. I do operate on a level of perfectionism in my life sometimes, but in art you really do have to learn (and re-learn) that things aren’t perfect and that’s what makes them great. I’ve had to find the line between obsessing over something and on one hand trying to make it almost sterile in its perfection (which benefits no one), and on the other hand understanding that we have made this project SO GOOD that it would under-serving it to give up on the last yard in the marathon.
I think we have done our due diligence, and I am super grateful to Dan for listening along with me. And we DID do it right the first time, meaning we have approached this EP with care and fun and attention, and I think that reflects in the music. It’s as great as it can be and I’m super proud of it.
The Kickstarter backers shall have it shortly, and I’m making a plan to get it to the rest of the world this summer. Promoting a new album is another example of letting go of doing it right the first time, because there’s always something new to try or learn. Let’s hope that process is as fun as the recording process has been!
Making trailers for things that aren’t movies seems to be hip these days, so I decided to gather up random footage of things in my brain and shove them all together into a minute-long clip. There is indeed a bit of one of the songs from the new EP here to listen to…once you get past Mary Chapin, a very hymn-like hymn, and the Gin Blossoms.
This business is hard. All business is hard, but the music business is hard, especially for the indie DIY type that is trying to make a living while being a good business person and being an artist. Oftentimes this level of artist is doing everything…booking, practicing, writing, promoting, driving, loading in, running sound, getting paid, mapping, changing flat tires, calling radio stations, web designing…ALL OF IT. It’s hard. This is why I have a job working with one very amazing artist helping with all of these things, and how I landed my idea for Social Thinkery so I could work with other artists on these topics as well.
Bill Small and I did a webinar last week, discussing things like booking, having a great website, and getting past your limiting beliefs in your career. We’re going to do a few more free webinars, but they do by fast and it’s hard to cover anything in-depth.
That’s why we are offering a 12 week course where we can meet with folks weekly and really get in-depth with each artist to address their specific needs, wants, and questions. Everything from Social Media Strategy to setting goals to booking yourself to pushing past your self-imposed limits and anything else artists might need. I’ll be working directly with each artist on their online presence, and we’ll take the 12 weeks to build something great.
Bill talks about it all here – take a listen and consider the course. It’s going to be amazing. Here’s the link. Take a look.
EP 3 is almost done and in my hands. I spent a super enjoyable day at Congress House Studio in Austin with Mark Hallman and Dan last week. Mark is a super producer himself, and known as one of the best mastering studios around amen. It was neat to see the process. Mastering takes all the tracks and puts their sounds in context with each other – so one song is not louder than another and you’re not turning your stereo up for the soft ones and down for the louder songs. EQ, gain, and compression are adjusted so everything sounds good as a whole project.
Artwork is almost done…I’ll post that soon!
Whelp, this will be fun! My friend Bill Small asked if I would go in on this wonderful project with him and I yelled “YAAAASSSSSSS!!!” and then more politely responded “Why yes, I’d love to, thank you for asking.” What are we doing?
Well, you can watch Bill’s very well narrated info video here, but I’ll keep chattering about this webinar anyway.
Note: webinar = seminar+the interwebs!
You all know what I do. Between working with Susan for six (6!!!) years on booking and touring and social media and promotion, and working with Dan at Rubicon Recording on music and business and social media, and working with myself on blogging and Tweeting and Facebooking and Vining and SXSWing and ALL THE THINGS…I have some thoughts about how to do the DIY musician thing. A couple thousand, anyway.
Bill, aside from being a great songwriter, performer, producer, and member of the Mighty Mystiqueros, is also the founder of Creative Artist Coaching. He’s spent years helping people, especially artists, break down a lot of barriers that keep them from doing their thing. I know a thing or two about barriers…writer’s block, fear of success, fear of failure, lack of motivation, feeling stuck…these things seem to be rampant amongst musicians who are small business owners (which, if you are a DIY Musician…you are!)
We’ve joined forces on this webinar and we’ll be taking questions about all of these topics and more on Google Hangouts from 1 – 2 PM Central on Monday, March 31st. Stop in, ask a question or 8, and listen to us chat about whatever comes up.
Registration link is here – that will give you all the info on how to log in on the 31st.
See you there!
I love musicians who have paid their dues, played the crap gigs to get to the good ones, are masters at their instrument, write their own songs, and push the limits of their genre. This is why I like a lot of singer-songwriters in many genres. This is why I love Lady Gaga.
There is a huge internet uh…storm…about this whole thing, which I’ll address later, but first I’m going to blog about my own experience with it. So…yes, Doritos brought Gaga to SXSW. To get into Stubb’s, a 2200 capacity venue (or dirt pit, as it were), you could do a few things:
- get your badge scanned at the conference and write a note on a postcard about how you did something bold (which I am pretty certain they immediately threw away)
- Tweet or Instagram about doing something bold
- attend one of many events downtown that Doritos ran called “Bold Missions” involving lame things like getting a weird hair cut or dancing in public
I love me some Gaga but I wasn’t going to get a haircut. Also, while going through this whole week, I am still not sure how “BOLD” relates to Doritos. Is there a new “Doritos Bold” flavor out or something? Anyway, luckily scanning my badge was enough to get me an email the night before that I was indeed headed to the show. We had to pick up wristbands at the convention center starting at 2 PM, so I was in line at 2 and got mine. Then I sauntered up to Stubb’s to see what was going on at about 3 PM. Several things happened:
- I heard Gaga sound-checking “Gypsy” and I got REALLY EXCITED
- I saw that there was already a line of about 30 people
- I figured “Why not?” and got in line. It was going to be a long wait.
Doors were not until 7:30, and I was glad I brought a book. Interestingly, I hardly had to do any recreational reading on the sidewalk because the group around me quickly made line friends and we spent the time chatting about our festival experience, Gaga, and life in general. For some it was their first Gaga show, for some it was old hat (it was going to be my third). Finally they opened the gates at 7:30 and we rushed in to be crunched up together some more and stand for another 2 hours.
I seriously do not have this kind of patience for just about anything. I hate concession lines, grocery store lines, sitting in traffic…I hate it. However, I was so jazzed about this show it didn’t bug me. My feet were tired but after a week of hustling around downtown anyway I guess I just went with it. Also, I just really love her music.
Two opening acts: The Dirty Pearls and Lady Starlight, both from Gaga’s club days in New York. They were good, but as the tone of the crowd grew more impatient, it was clear we weren’t here for openers. A Doritos logo was projected over our heads onto a screen but that’s about all I saw from the chip people.
Finally, a woman comes out to center stage, eating barbeque pretty…suggestively. She takes a bite of a rib and throws it into the crowd. She sits on a chair. A whole bottle of sauce is used. It takes about 10 minutes, the crowd back-and-forthing between “I WANT A RIB!” (because we had been standing for 7 hours) and “GAGA!” The Gaga chants got louder and more intense and finally the curtain dropped and out rolled Lady Gaga on a…spit. She was the meat we had all been chanting for. She launched into “Aura” while untying herself from the rotisserie and it was on.
It was a pretty hardcore rock and roll show, really. Before I get into the most publicized spectacle of the evening, I want to point out that Gaga is REALLY good live. She plays piano like a boss, her voice sounded great, and she had this weird intense look the whole time that would have made me run away were it directed straight at me. She brought it.
Then there was the thing everyone is talking about…the vomit performance artist. As Gaga introduced her friend Millie Brown to help her on the song “Swine” – which she said was about violation and selling yourself, and as Millie walked out with a liter of green liquid and started chugging it, I thought…”This will not end well.” I will admit, I did not see the initial um…upchuck. Too many people in the way and it was toward the back of the stage. Then Gaga and Millie got on a giant mechanical swine-slash-piano (of course) and she started chugging a black goo. Then it happened, and the black goo was all over Gaga’s shirt. While this was registering my mouth dropped open and stayed that way through the whole song. “Did that just really happen? I am shocked. I have never been at a show like this before. My mind is reeling. I kind of like the feeling of being confused at a pop concert. WHAT DOES IT MEAN?” And then it was over and they hugged it out on the swine and the show went on. I knew it was shocking and I knew it was some trippy performance art, but honestly the thought of “THAT WAS SO OFFENSIVE” did not cross my mind once. I mean, I am KIND of a prude, but I’ve seen a lot of stuff go down in the world and I had never seen that.
The rest of the show went on pretty normally comparatively – we got a countrified “Bad Romance” and a killer version of “Applause” and then she ended with “Gypsy” and some thoughtful words about the week at SXSW – its triumphs and tragedies. She told us to go home and pick up our guitars and write something, not post selfies on the internet. She reminded us that no one will care what we tweeted when we’re gone, but they will care about the people we helped and the connections we made. It was good stuff.
She did not try to sell us chips once.
The thing that was interesting about the “Swine” performance is that I kept thinking about it all the way home. I didn’t just leave with some warm fuzzy “that was fun” feeling and move on. I didn’t actually think it was something that would cause an internet stampede the next morning, but there it went. All I knew was that my mind was blown and not because of the performance art although that was definitely part of it. It was just a really great show by one of my favorite artists in a venue with a capacity of the kind that she hasn’t fit into in years. One of the biggest pop stars in the world played at Stubb’s and I was there…and I’m glad for it.